Hieroglyphics is Jill McCorkle’s most engrossing and spectacular novel yet. The set-up may seem familiar and mundane: A retired couple from Boston relocate to the sandhills of North Carolina to be near their daughter and grandchildren. But McCorkle weaves an intricate, multi-generational plot, with murder, ghosts, and hidden family truths against a backdrop of two historical catastrophes. Her portrayal of family dynamics is masterful but somehow she does it with a light touch.
Early reviews have been universally outstanding: “McCorkle weaves a powerful narrative web, with empathy for her characters and keen insight on their motivations. This is a gem.” —Publishers Weekly “A deeply moving and insightful triumph.” —Booklist (starred review). “It's that quiet talent that makes Hieroglyphics a novel whose appeal will only enlarge in the reader's mind with the passage of time." —Shelf Awareness
If you haven’t discovered Jill McCorkle, now is the time.— Sarah
August 2020 Indie Next List
“Jill McCorkle’s latest novel, Hieroglyphics, tackles early loss and how its memory persists in the minds of those who experience it. McCorkle weaves the stories of four unassuming characters and their individual traumas into a braided cord of empathy, revelation, and survival. Her storytelling skill is in high gear in this quiet yet deeply insightful drama that will remain in the reader’s mind long after the final page.”
— Linda Kass, Gramercy Books, Bexley, OH
“Hieroglyphics is a novel that tugs at the deepest places of the human soul—a beautiful, heart-piercing meditation on life and death and the marks we leave on this world. It is the work of a wonderful writer at her finest and most profound.”
—Jessica Shattuck, author of The Women in the Castle
After many years in Boston, Lil and Frank have retired to North Carolina. The two of them married young, having bonded over how they both—suddenly, tragically—lost a parent when they were children. Now, Lil has become determined to leave a history for their own kids. She sifts through letters and notes and diary entries, uncovering old stories—and perhaps revealing more secrets than Frank wants their children to know.
Meanwhile, Frank has become obsessed with the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is now raising her son. For Shelley, Frank’s repeated visits begin to trigger memories of her own family, memories that she’d hoped to keep buried. Because, after all, not all parents are ones you wish to remember.
Empathetic and profound, this novel from master storyteller Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and to be a child trying to know your parents—a child learning to make sense of the hieroglyphics of history and memory.
About the Author
Jill McCorkle’s first two novels were released simultaneously when she was just out of college, and the New York Times called her “a born novelist.” Since then, she has published six novels and four collections of short stories, and her work has appeared in Best American Short Stories several times, as well as The Norton Anthology of Short Fiction. Five of her books have been New York Times Notable books, and her most recent novel, Life After Life, was a New York Times bestseller. She has received the New England Booksellers Award, the John Dos Passos Prize for Excellence in Literature, and the North Carolina Award for Literature. She has written for the New York Times Book Review, the Washington Post, the Boston Globe, Garden and Gun, the Atlantic, and other publications. She was a Briggs-Copeland Lecturer in Fiction at Harvard, where she also chaired the department of creative writing. She is currently a faculty member of the Bennington College Writing Seminars and is affiliated with the MFA program at North Carolina State University.
“A moving and deeply appealing novel.”
“A good novel can perform the same perception-bending trick as a lockdown: slowing time, throwing light on shadowed corners, reminding us of the interdependencies among us that we once took for granted . . . Vibrant, engaging . . . McCorkle, a generous, humane writer, knows that facing death allows us, as this terrible pandemic has, to focus on what is essential: how to take care of our vulnerable, and to appreciate the connections that sustain us.”
—The New York Times Book Review
“A bard of Southern fiction weaves a layered tale around a married couple who retire from Boston to North Carolina amid a beehive of secrets. A hidden journal, a childhood house, a long-ago fire: All emerge as keys and touchstones in McCorkle’s shimmering prose.”
—O, The Oprah Magazine
“Jill McCorkle has long been one of our wryest, warmest, wisest storytellers. In Hieroglyphics, she takes us on through decades, through loss, through redemption, and lands in revelation and grace. As always with McCorkle, the story feels so effortless and true that we might well miss what a high-wire act she’s performing. But make no mistake: She’s up there without a net, she never misses a step, and it’s spectacular.”
—Rebecca Makkai, Pulitzer Prize finalist for The Great Believers
“Hieroglyphics is a novel that tugs at the deepest places of the human soul—a beautiful, heart piercing meditation on life and death and the marks we leave on this world. It is the work of a wonderful writer at her finest and most profound.”
—Jessica Shattuck, author of The Women in the Castle
“Jill McCorkle at her best—a masterful storyteller noting the complications of life with a heart full of empathy.”
—Garden & Gun
“Wise and tender, Hieroglyphics captures life itself: the experiences that shape us and bind us to one another, and the moments of terror and grace we carry in our hearts. Jill McCorkle's new novel is a triumph.”
—Claire Messud, author of The Burning Girl
“A thoroughly existential story that inspects mortality, the passage of time and the inadequacies of human communication . . . [McCorkle’s] mastery of words as a vehicle to deliver raw emotions never wavers. Hieroglyphics dwells in nostalgia and the inevitable pain that’s built into the contract of life, but like a good therapy session, it proves rewarding.”
“The real joy of Hieroglyphics is its intricacy, the pieces of four stories assembled into a mosaic of love and pain and redemption . . . the plain and elegant style pulls the reader through its shifts and counterpoints. You emerge bedazzled, blinking in the bright sunlight of now and carrying the shards of their experiences in your heart. McCorkle is a gracious stylist who hides a whip-smart gift behind her Southern charm. She knows how to tell a good story.”
—Washington Independent Review of Books
“Hieroglyphics is suffused with a deep and heartening understanding of human resilience and strength. A beautiful and emotionally satisfying novel."
—Brad Watson, author of Miss Jane
“Engrossing . . . McCorkle finds an elegant mix of wistfulness and appreciation for life . . . Throughout, McCorkle weaves a powerful narrative web, with empathy for her characters and keen insight on their motivations. This is a gem.”
—Publishers Weekly, starred review
"Ingenious . . .Gathers layers like a snowball racing downhill before striking us in the heart with blunt, icy force."
—Kirkus Reviews, starred review
"A powerful evocation of loss and yearning . . . McCorkle testifies to the ageless nobility of human beings who want the next generation to do better. A deeply moving and insightful triumph."
—Booklist, starred review
"Demonstrating her widely recognized skill at creating memorable stories out of the stuff of daily life, McCorkle's empathy for a quartet of unassuming but appealing characters provides the foundation for a novel whose drama is modest, but whose insight is deep. Jill McCorkle is an unfussy writer whose storytelling skill almost gives the impression she's simply eavesdropping on her character's lives. It's that quiet talent that makes Hieroglyphics a novel whose appeal will only enlarge in the reader's mind with the passage of time."
“No one has a more captivating storytelling style than McCorkle, and her narrative gifts are on full display in Hieroglyphics. As in her previous novel, Life After Life, she does a masterful job of weaving a whole from many parts. Revelations about all the characters arrive slowly, finally reaching a conclusion that is fully satisfying, as soaked in love and sorrow as every human life.”
“McCorkle is an insightful, skillful writer.”
—New York Journal of Books
“McCorkle is known for being a funny and astute chronicler of everyday life. Hieroglyphics . . . is a layered and powerful meditation on parenthood, loss and family history, and yet it has the easy feel of an entertaining neighbor spinning a tale on the porch while shelling peas.”
—Savannah Morning News
“Jill McCorkle’s novels are always worth the wait. That’s certainly true of Hieroglyphics. Few books are so honest and true to life, yet so ultimately uplifting. She’s a master of the art of weaving a story, through just the right details, nuances and anecdotes, for us to decipher as we read.”
—Greensboro News & Record
“McCorkle’s book is deeply layered, deconstructing and reconstructing what it means to be a parent, and what it means to be a child trying to make sense of history and memory.”
“Hieroglyphics is a powerful, deeply moving testament to both the ties of family and the taut fragility of memory's plumb-line. Shelley, Harvey, Lil and Frank felt so real that it seemed as if I had known them for many years; this book stayed with me well beyond the last page.”
—Daniel Mason, author of The Winter Soldier