“Jill McCorkle has long been one of our wryest, warmest, wisest storytellers. In Hieroglyphics, she takes us on through decades, through loss, through redemption, and lands in revelation and grace. As always with McCorkle, the story feels so effortless and true that we might well miss what a high-wire act she’s performing. But make no mistake: She’s up there without a net, she never misses a step, and it’s spectacular.” —Rebecca Makkai, Pulitzer Prize finalist for The Great Believers
Lil and Frank married young, launched into courtship when they bonded over how they both—suddenly, tragically—lost a parent when they were children. Over time, their marriage grew and strengthened, with each still wishing for so much more understanding of the parents they’d lost prematurely.
Now, after many years in Boston, they have retired in North Carolina. There, Lil, determined to leave a history for their children, sifts through letters and notes and diary entries—perhaps revealing more secrets than Frank wants their children to know. Meanwhile, Frank has become obsessed with what might have been left behind at the house he lived in as a boy on the outskirts of town, where a young single mother, Shelley, is just trying to raise her son with some sense of normalcy. Frank’s repeated visits to Shelley’s house begin to trigger memories of her own family, memories that she’d rather forget. Because, after all, not all parents are ones you wish to remember.
Hieroglyphics reveals the difficulty of ever really knowing the intentions and dreams and secrets of the people who raised you. In her deeply layered and masterful novel, Jill McCorkle deconstructs and reconstructs what it means to be a father or a mother, and what it means to be a child piecing together the world all around us, a child learning to make sense of the hieroglyphics of history and memory.
About the Author
Jill McCorkle’s first two novels were released simultaneously when she was just out of college, and the New York Times called her “a born novelist.” Since then, she has published six novels and four collections of short stories, and her work has appeared in Best American Short Stories several times, as well as The Norton Anthology of Short Fiction. Five of her books have been New York Times Notable books, and her most recent novel, Life After Life, was a New York Times bestseller. She has received the New England Booksellers Award, the John Dos Passos Prize for Excellence in Literature, and the North Carolina Award for Literature. She has written for the New York Times Book Review, the Washington Post, the Boston Globe, Garden and Gun, the Atlantic, and other publications. She was a Briggs-Copeland Lecturer in Fiction at Harvard, where she also chaired the department of creative writing. She is currently a faculty member of the Bennington College Writing Seminars and is affiliated with the MFA program at North Carolina State University.
“Engrossing . . . McCorkle finds an elegant mix of wistfulness and appreciation for life . . . Throughout, McCorkle weaves a powerful narrative web, with empathy for her characters and keen insight on their motivations. This is a gem.”
—Publishers Weekly, starred review
“Hieroglyphics is suffused with a deep and heartening understanding of human resilience and strength. A beautiful and emotionally satisfying novel."
—Brad Watson, author of Miss Jane
“Wise and tender, Hieroglyphics captures life itself: the experiences that shape us and bind us to one another, and the moments of terror and grace we carry in our hearts. Jill McCorkle's new novel is a triumph.”
—Claire Messud, author of The Burning Girl
“Hieroglyphics is a powerful, deeply moving testament to both the ties of family and the taut fragility of memory's plumb-line. Shelley, Harvey, Lil and Frank felt so real that it seemed as if I had known them for many years; this book stayed with me well beyond the last page.”
—Daniel Mason, author of The Winter Soldier
“Hieroglyphics is a novel that tugs at the deepest places of the human soul—a beautiful, heart piercing meditation on life and death and the marks we leave on this world. It is the work of a wonderful writer at her finest and most profound.”
—Jessica Shattuck, author of The Women in the Castle