Sad Janet: A Novel (Hardcover)
On our shelves now
Named one of the Best Books of the Summer by Lit Hub, The Millions, Refinery29, and Hey Alma.
“Hilarious, wise, wicked, and tender.” —Cynthia D’Aprix Sweeney, The New York Times–bestselling author of The Nest
Janet works at a rundown dog shelter in the woods. She wears black, loves The Smiths, and can’t wait to get rid of her passive-aggressive boyfriend. Her brain is full of anxiety, like “one of those closets you never want to open because everything will fall out and crush you.” She has a meddlesome family, eccentric coworkers, one old friend who’s left her for Ibiza, and one new friend who’s really just a neighbor she sees in the hallway. Most of all, Janet has her sadness—a comfortable cloak she uses to insulate herself from the oppressions of the wider world.
That is, until one fateful summer when word spreads about a new pill that offers even cynics like her a short-term taste of happiness . . . .just long enough to make it through the holidays without wanting to stab someone with a candy cane. When her family stages an intervention, her boyfriend leaves, and the prospect of making it through Christmas alone seems like too much, Janet decides to give them what they want. What follows is life-changing for all concerned—in ways no one quite expects.
Hilarious, bitterly wise, and surprisingly warm, Sad Janet is the depression comedy you never knew you needed.
About the Author
Lucie Britsch’s writing has appeared in Catapult, Vol. 1 Brooklyn, Split Lip Magazine, and The Sun magazine, and has been nominated for a Pushcart Prize. Sad Janet is her first novel.
Praise for Sad Janet:
“Witty . . . surprising and irreverent . . . Be prepared for edginess [and] dark humor.” —The New York Times Book Review
“A gentle, yet precise probe into the nature of melancholia . . .Sad Janet is a strangely exuberant meditation on sadness; Britsch articulates the conflicting comforts and pains of depression in a distinctively memorable, wise way.” —Refinery29
“Funny and touching and highlights some very real truths about what it means to be a sad woman in our world.” —Hey Alma
“A whip-smart, biting piece of tragicomedy which manages to inspire real laughter while celebrating sadness. Hilarious, profound and deeply refreshing.” —The Huffington Post (UK)
“A searing, comedic and accessible take on depression and personality, Sad Janet delivers a comforting message about the value of individuality.” —Shelf Awareness
“The narrative voice of Janet in Britsch’s debut novel is a skin-tingling combination of new and necessary. . . . This book and this character are radical, and readers are likely to feel a relief at reading the thoughts they’ve had but not spoken.” —Booklist (starred review)
“Britsch’s monologue about the experience of unhappiness is undeniably infectious.” —Publishers Weekly
“Lucie Britsch has crafted a biting, pitch-perfect novel about one woman’s desire to stay true to herself in a world that rewards facile happiness. Hilarious, wise, wicked, and tender, Sad Janet is a dazzling debut and Britsch a singular and necessary new voice.” —Cynthia D’Aprix Sweeney, The New York Times–bestselling author of The Nest
“I know sad Janet. Sometimes I am sad Janet. At some point in our lives, we could all be a Janet. In her wonderful debut novel, Lucie Britsch celebrates a formerly unheralded state of being: sadness. Embrace your sadness, watch TV, pet a stray dog, masturbate, don’t answer the phone. And if you don’t feel like taking that pill, try reading Sad Janet instead. It might make you happy.” —Marcy Dermansky, author of Very Nice
“In Sad Janet, Britsch has created a slacker heroine with the exuberant weariness of a Melissa Broder poem and the provocative nonconformism of an Ottessa Mosfegh character. From her pulpit in the anarchist dog shelter that also shelters her, Janet has veracious and darkly comic things to say about the real cost of artificial glee. A timely and trenchant debut.” —Courtney Maum, author of Costalegre
“Sad Janet is a tragicomic riot of a book—charging, foul-mouthed and tender, across the modern condition. It is an hysterically funny and slyly moving defense for feeling all there is to feel in a medicated world. Lucie Britsch’s outcast heroine, Janet, is the dog-whispering, post-Goth cousin to Phoebe Waller-Bridge’s Fleabag. Terrifying, glorious, and one for the ages.” —Claudia Dey, author of Heartbreaker and Stunt