Now a Netflix Original Movie
When four old University friends set off into the Scandinavian wilderness of the Arctic Circle, they aim to briefly escape the problems of their lives and reconnect with one another. But when Luke, the only man still single and living a precarious existence, finds he has little left in common with his well-heeled friends, tensions rise. With limited experience between them, a shortcut meant to ease their hike turns into a nightmare scenario that could cost them their lives. Lost, hungry, and surrounded by forest untouched for millennia, Luke figures things couldn't possibly get any worse. But then they stumble across an old habitation. Ancient artefacts decorate the walls and there are bones scattered upon the dry floors. The residue of old rites and pagan sacrifice for something that still exists in the forest. Something responsible for the bestial presence that follows their every step. As the four friends stagger in the direction of salvation, they learn that death doesn't come easy among these ancient trees . . .
Winner of the 2013 British Fantasy Award for Best Horror Novel (Last Days) "A mind-twisting journey into the dark backwoods of terror. Deeply disturbing and absolutely riveting." -Jonathan Maberry
"A book which preys on our most basic, instinctive fears, then amplifies them ten-fold. A desperate, intense descent into the depths of somewhere unimaginably ancient and unspeakably evil." -David Moody
Publishers Weekly – Starred Review:
“And on the second day things did not get better.” This suitably foreboding opening sentence sets the stage for a dark and mesmerizing horror debut that riffs on Algernon Blackwood’s classic story “The Wendigo.” Hutch, Luke, Dom, and Phil set off on a camping trip in the forests of Sweden, only to find the woods hostile to their explorations. Tensions arise when it becomes clear that two of the party aren’t physically up to the challenges of navigating the rough terrain, and fears set in with the discovery of an eviscerated “thing” hanging higher up in a tree then any animal would place it. Nevill makes the natural world deeply menacing, using the power of suggestion rather than explicit images to create a growing claustrophobic feeling as the difficult journey to return to some semblance of civilization embeds the quartet only further in the grasp of primal evil.
"A spine-tingling tale of one man’s survival in a truly horrific realm." - Suspense Magazine